Jane Ginsborg



David Dolan
John A. Sloboda
Henrik Jeldtoft Jensen
Björn Crüts
Eugene Feygelson

  The improvisatory approach to classical music performance: An empirical investigation into its characteristics and impact
Roger T. Dean
Kirk N. Olsen
Freya Bailes
  Is there a 'rise-fall temporal archetype' of intensity in the music of Joseph Haydn? The role of the performer
Amanda Glauert
  "Do you know the land?" Unfolding the secrets of the lyric in performance
Nigel Nettheim
  The reconstitution of historical piano recordings: Vladimir de Pachmann plays Chopin's Nocturne in E Minor
Martin Blain
  Composition-as-research: Connecting Flights II for Clarinet Quartet – a research dissemination methodology for composers
Biranda Ford
  Approaches to performance: A comparison of music and acting students' concepts of preparation, audience and performance
Lauren Victoria Hadley
  Conference Report: Performance Studies Network Second International Conference 2013